This strip was completely trashed about twice before developing this final version. Yes, the camera can go anywhere… but I’ve never tried a cross-sectional one before. How else can we demonstrate that the speed limit sign is in line with[…]↓ Read the rest of this entry…
Why is FOWL engaging, you might ask? If the car sped off, they’d have no choice but to concentrate on the pursuit. Now if Boo and Montey decide to maintain a slower speed, FOWL knows (1) they wouldn’t lead them[…]↓ Read the rest of this entry…
Trying some crosshatch shading effects this time around, which brings up another set of issues – how fabric drapes on forms. In addition, pacing and exposition was a challenge in this one. Comics demand that you show and not tell, but[…]↓ Read the rest of this entry…
New experiment. Vertical format, since a lot of things had to happen that doesn’t necessarily fit inside a four panel strip. The main trick to this one is making sure the eye swings back and forth smoothly down the strip[…]↓ Read the rest of this entry…
Panel one: At least do some research before you enter anything technical. It doesn’t have to look great, nor do you need the complete screen display, but if you ever have someone click “Upload Virus” to an alien mothership computer,[…]↓ Read the rest of this entry…
Ever notice bird owners are a little… fanatic?
Another famous landmark. I tried to make sure the choreography was correct and shows off the different sides of the building in the proper order. It’ll make sense for the next strip… the bird is flying in the right direction.
Anyone recognize the background landmarks?
Once again, the usefulness of reference photos cannot be understated.
Remember when I mentioned that I found a way to draw vegetation that was more realistic? So. Many. Leaves.
